Her life began in a small town in western Romania in 1982. Strongly influenced by the women of her family, she learned from childhood to knit, sew and appreciate manual work. In 1997, while studying at the Normal Pedagogical School of Timisoara, she decided to take a fashion course in order to fulfill her aspirations for creative work.
Admitted to the Faculty of Architecture of Timisoara, she is however quickly disappointed by certain ideological rigidities of the teaching which is lavished there and finally decides to leave Romania to go to continue studies of architecture in Paris at the National School of Architecture. in Paris Val de Seine. The first year, with a colleague, she presents a project for the Wilmotte Prize which will receive the mention "remarkable project". During her architectural studies, she self-taught plastic work while she occupies a food job to meet her needs. His studies culminate with a Thesis on architectural characters in the work of James TURRELL, this work will receive the congratulations of the jury.
In 2012, she decided to present her artistic work for the first time to the Boum Bang collective, this meeting allowed her to integrate a project with Victor FERES where a tire dress paraded at the Palais de Tokyo and then in the Frac collections. The same year, the composer François RÈGIS (IRCAM) asked him to invest in rue Beauregard (75002 Paris) in collaboration with the Italian artist Stefano ALAIMO where we will see a video projected on a sculpture of Andreea. Subsequently in 2013, Andreea TALPEANU was invited by the London gallery Frameless to participate as part of “Freaze Week Off” in a collective exhibition featuring artists such as Rita GROSSE-RUYKEN, Paul HAZELTON or Charlotte CHARBONNEL.
In 2014, the artist exhibited during a three-month traveling exhibition in Ile de France in several institutional places with renowned artists such as ORLAN, Robert MAPPLETHORPE or Daniel SPOERI. Since then, Andreea TALPEANU, lives and works in Paris and continues collaborations.
Working with reality as matter, Andreea Talpeanu's research subjects are deeply rooted in hypermodernism and therefore in the transformation of the world today. The artist creates hybrid works with vestiges, which are contemporary reflections. Thus it generates new bodies or synthetic materials for an organic result.
His works presented in several series, "Coagulations, Nudes Hypermodernes, Hyperlinks", etc ... do not seek aesthetics, but the very essence of the fusion of things, whether they are material or immaterial. His plastic approach is not an interpretation of a contemporary subject and its metaphor, but the very search for the definition of what the bond means in today's society.